No solid form can contain you mariana castillo deball
Uncomfortably positioned between a cast and a mold, Castillo Deball’s large-scale fiberglass sculpture, No solid form can contain you (2010), alludes to questions of authenticity, reproduction, and how knowledge of certain cultural artifacts is acquired through the circulat
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No solid form can contain you mariana castillo deball
Mariana Castillo Deball:finding Oneself Outside
Uncomfortably positioned between a cast and a mold, Castillo Deball''s large-scale fiberglass sculpture, No solid form can contain you (2010), alludes to questions of authenticity, reproduction, and how knowledge of
ARQUEOLOGÍA DE LA HISTORIA. MARIANA
Entre ciencia, historia, arqueología y artes visuales el trabajo de la artista mexicana Mariana Castillo Deball (1975) que vive y trabaja en Berlin, se presenta por primera vez en EEUU con una exposición individual en el New
-Between you and the image of you that reaches me | El
El título de la pieza, No solid form can contain you [Ninguna forma sólida puede contenerte], alude precisamente a este complejo entramado histórico y a la imposibilidad de aprehenderlo
Programs
Mariana Castillo Deball: Finding Oneself Outside. January 22 – May 5 2019 . No solid form can contain you (2010), offered a peculiar visualization of space as a would-be mold turned inside out—panels cast from a statue of Coatlicue, the Mexica, or Aztec, mother goddess, were inverted to reveal their concave sides and reassembled to
Revista Código | Arte, Arquitectura, Diseño, Cine
La pieza central de Finding Oneself Outside, comisionada por el New Museum, está basada en un mapa colonial de San Pedro Teozacoalco, en México, trazado sobre paneles de madera, que es un ejemplo del cruce estético entre las
Exhibitions
A large-scale sculpture, No solid form can contain you (2010), offered a peculiar visualization of space as a would-be mold turned inside out—panels cast from a statue of Coatlicue, the Mexica, or Aztec, mother goddess, were inverted to
Circulating casts of the Coatlicue: Mariana Castillo Deball''s
This essay delves into casts of the Aztec earth goddess, the Coatlicue, through the lens of a sculpture, No solid form can contain you (2010), by the contemporary Mexican artist Mariana Castillo Deball. In this sculpture, Castillo Deball created a fibreglass cast of the Coatlicue and placed it on the floor.
Vista de Ojos
A large-scale sculpture, No solid form can contain you (2010), offers a peculiar visualization of space as a would-be mold turned inside out—panels cast from a statue of Coatlicue, the Mexica, or Aztec, mother goddess, are inverted to
Looked At! No solid form can contain you from Mariana Castillo Deball
Mariana Castillo Deball: No solid form can contain you, Detail, 2010 © Staatliche Museen zu Berlin, Nationalgalerie / Mathias Völzke
Series
The New Museum Digital Archive contains documentation of the New Museum''s program and institutional history in the form of images, video, audio, publications and printed matter. Created with Sketch. Created with Sketch. Mariana Castillo Deball: Finding Oneself Outside
Mariana Castillo Deball
Imagine an artifact, like an ancient olmec stone sculpture in a museum, or a scribble in a 16th century notebook. As you picture it, the person who made it might come to mind, expanding the reach of the object''s network.
Ancient Americas, Appropriated · No solid form can contain you
Included in the exhibition Between You and the Image of You That Reaches Me at the Museum of Latin American Art, Long Beach, California (June-September 2010) Included in the exhibition Mariana Castillo Deball: Finding Oneself Outside at the
Mariana Castillo Deball: Finding Oneself Outside
The title of the exhibition dedicated to Mariana Castillo Deball at New Museum describes a feeling encountered both in studying history and investigating the shifts which occur in knowledge, and her large-scale sculpture "No solid form
Between you and the image of you that reaches
There is a space later in time where you are just a memory : 7 min ; Información adicional: Videoinstalación compuesta por: No solid form can contain you, 2010 Escultura modular en fibra de vidrio. The stronger the light your shadow cuts
Vista de Ojos
A large-scale sculpture, No solid form can contain you (2010), offers a peculiar visualization of space as a would-be mold turned inside out—panels cast from a statue of Coatlicue, the Mexica, or Aztec, Mariana Castillo Deball. Do Ut
Finding oneself out: Mariana Castillo Deball en Nueva York
Mariana Castillo Deball – Finding Oneself Outside Pero Mariana va más lejos que su propia exploración histórica. Esta exposición es un híbrido de piezas surgidas de la gráfica y filosofía antropológica en yuxtaposición con todo aquello que el tiempo le echó encima, en una matemática asociada con los conceptos contemporáneos que
Time for Fragments at Hamburger Bahnhof Berlin
The collection display Time for Fragments looks into the diverse meanings of the fragmentary in the work of artists such as Joseph Beuys, Marianna Castillo Deball, Anish Kapoor, William Kentridge, Sam Taylor-Johnson, Cy Twombly and Andy Warhol. A special exhibition by the Nationalgalerie – Staatliche Museen zu Berlin
mariana castillo deball
mariana castillo deball. 1975, Mexico City no solid form can contain you, 2010 modular fiberglass sculpture made from a cast of the original coatlicue statue variable dimensions . between you and the image of you that reaches me. installation view at the museum of latin american art, long beach, california, united states, 2010
New Museum: Marina Castillo Deball – The Current Season
As with so much of this exhibit, a viewer can feel the influence of outside parties obtaining/interpreting another culture. The artist shows us these skewed retellings, and those of us seeing the art repeat the pattern. –Amber Peck "No solid form can contain you" by Mariana Castillo Deball. Image by Amber Peck.
''In Mexico, We Never Used to Speak About
Her sculpture, No solid form can contain you (2010), is a cast from a mold of the original 15th century Coatlicue statue, made of greenish fiberglass and with its joints turned outwards – ''a confusing shape'', she says, like a
mariana castillo deball
mariana castillo deball 1975, Ciudad de México. En su trabajo, Mariana Castillo Deball, propone una visión calidoscópica que explora la forma en que la colaboración entre ciencia, arqueología y artes visuales puede describir el mundo; sus instalaciones, performance, esculturas y proyectos editoriales surgen de la re-combinación de diversos lenguajes y exploran el rol de los objetos
mariana castillo deball: finding oneself outside
A large-scale sculpture, No solid form can contain you (2010), offers a peculiar visualization of space as a would-be mold turned inside out—panels cast from a statue of Coatlicue, the Mexica, or Aztec, mother goddess, are inverted to
Circulating casts of the Coatlicue: Mariana Castillo Deball''s
In No solid form can contain you, Castillo Deball questions the political and museological apparatuses that have dictated the status of the Coatlicue. The essay argues
Time for Fragments. Works from the Marx
Paintings, sculptures, photographs, video installations by Joseph Beuys, Anish Kapoor, William Kentridge, Sam Taylor-Johnson, Cy Twombly, Andy Warhol
Between you and the image of you that reaches me | El
There is a space later in time where you are just a memory : 7 min ; Material adicional: Videoinstalación compuesta por: No solid form can contain you, 2010 Escultura modular en fibra de vidrio. The stronger the light your shadow cuts deeper, 2010 Papel recortado. There is a space in time where you are just a memory, 2012 Video
Analysis of the sculpture No Solid Form Can Contain You
applying Nepantilism to No Solid Form Can Contain You (2010), I study it as formal three-dimensional evidence of a hybrid cultural history through its use of space informed by its
Analysis of the sculpture No Solid Form Can Contain You
cultural identity across time by studying Mariana Castillo-Deball''s No Solid Form Can Contain You (2010) (Figure 1) through Gloria Anzaldua''s Nepantilism theory. For this research paper, I employ Nepantilism as a theory that makes visible areas where two or more things overlap. In this hybrid space, things are always in transition. In its 2019
同行/被失语的微观历史 | Mariana Castillo Deball
Mariana Castillo Deball是她这一代最有影响力的艺术家之一,为当代艺术领域的后殖民观点做出了巨大贡献。 作为一位民族志学者型的艺术家,她通过装置、表演、雕塑和摄影来调和并重组科学、考古学和视觉艺术,旨在了解
New Museum
Positioned between a cast and a mold, Mariana Castillo Deball''s large-scale fiberglass sculpture, "No solid form can contain you" (2010), alludes to questions of authenticity, reproduction, and
Circulating casts of the Coatlicue: Mariana Castillo Deball''s
This essay delves into casts of the Aztec earth goddess, the Coatlicue, through the lens of a sculpture, No solid form can contain you (2010), by the contemporary Mexican artist Mariana Castillo Deball. In this sculpture, Castillo Deball created a
Mariana Castillo Deball: Finding Oneself Outside
A large-scale sculpture, No solid form can contain you (2010), offers a peculiar visualization of space as a would-be mold turned inside out—panels cast from a statue of Coatlicue, the Mexica, or Aztec, mother
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